| . | Ancient Egyptian Paintings |
Renaissance Paintings 16th century |
| . |  |
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| Techniques |
Frontalism - strict rules
The head of the character was always drawn in profile, while the body is seen from the front.
Although the face is to the side, the eye is drawn in full.
The legs are turned to the same side as the head, with one foot placed in front of the other.
The head is at right angles to the body.
Every figure in paintings, stands or sits with a formal, stiff,
and rigid posture. The stance of the body is severe, but the faces are calm and serene.
Slaves and animals were painted more natural and relaxed, and with a smaller scale in drawings
to show their limited importance.
There was little attempt at plastic or spatial illusionism - no attempt at linear perspective.
Artists made colors from raw materials around them and therefore worked in a limited number of shades.
Color was applied in flat tones - strict rules often applied to the use of a particular color for particular purpose. For example, men's skin was colored red
while women's was yellow.
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The use of perspective
Realistic presentation of art
Treatment of light - shades and shadows
Extensive color pallete and tones
Show of emotional gestures and expressions
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| Subjects |
Religious scenes
Military scenes
Daily life scenes
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Religious scenes
Portrait Paintings |
| Media |
a) Papyrus
b) Walls of tombs and temples
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a) canvas - a heavy-duty fabric
b) Frescoes - the surface of wet, fresh lime mortar
c) secco - dry plaster |
| Artists |
Ordinary craftsmen
No individual artists with creativity talents - imitation and strict adherence to rules required
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Supreme individualism of art Masters
Examples: Leonardo Da Vinci, Raphael, Michelangelo and El Greco |